Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.

Ralph Fiennes

Categorized in : Thinking Editing Gone

One of the things that binds us as a family is a shared sense of humor.

Ralph Fiennes

sense-of-humor family

Success.. is all about being able to extend love to people... not in a big, capital letter sense but in the everyday. Little by little, task by task, gesture by gesture, word by word.

Ralph Fiennes

success motivational people

I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.

Ralph Fiennes

keys essence people

There are those moments when you shake someone's hand, have a conversation with someone, and suddenly your all bound together because you share your humanity in one simple moment.

Ralph Fiennes

simple humanity hands

I don't feel particularly comfortable about actors using whatever power they may have to push their beliefs, unless they're extremely well informed.

Ralph Fiennes

actors belief may

I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.

Ralph Fiennes

advice art thinking

Little moments can have a feeling and a texture that is very real.

Ralph Fiennes

texture real feelings

I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.

Ralph Fiennes

addiction character book

As an actor, there's a bit of you that's decided you want to be looked at and watched, but there's a paradoxical bit that wants to run away.

Ralph Fiennes

actors want running

You have to just dive over the edge. You haven't got time to mess about.

Ralph Fiennes

over-the-edge mess havens

...the world is a giant community now. This excuse of distance, time, doesn't work...We're all so connected. We can't spend every second of our lives worrying about another family miles away but we somehow have to factor it in where we can.

Ralph Fiennes

distance helping-others worry

God is not anything human. God is a force, God is chaos, God is unknown. God is terror and enlightenment at the same time.

Ralph Fiennes

chaos enlightenment force

So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.

Ralph Fiennes

acting trying character

When you meet women, don't pretend to be anything that you're not.

Ralph Fiennes

boyfriend husband relationship

Being an actor means asking people to look at you. I guess I accept that. But it's a profession in which the job is to show another world and other people. You may access it through bits of yourself, and your imagination and experience, but actually, in the end, you're not playing yourself.

Ralph Fiennes

playing-yourself jobs mean

What moves me in art is how we question who we are as people.

Ralph Fiennes

people art moving

I learned a lot about acting - watching not just myself but other actors and learning how to distinguish between two great takes. It's also about one's own taste in performance.

Ralph Fiennes

actors acting two

People fear they won’t get what they want.

Ralph Fiennes

budapest want people

Gardeners are good at nurturing, and they have a great quality of patience, they're tender. They have to be persistent.

Ralph Fiennes

generosity quality patience

I have a great editor and I enjoy, in a masochistic way, being ruthless about my own performance. How do I know, but I think I'm quite good at saying, "That's no good. That's no good. That's it. That's it. That's good." And I'm with the editor who goes, "No, I think you're wrong. That's not your best." There's an initial point in the editing, if you're directing yourself, especially in my case, where you go, "Ouch, ouch, ouch, I can't watch this." And then, there's a point where you become hard-nosed and just take your neurosis away and go, "What's working? That's okay. That's okay. We can lose that, and lose that." You get objective about it.

Ralph Fiennes

ouch editors editing