Jesmyn Ward: I've never been the president of anything, but I would im...

I think my love for books sprang from my need to escape the world I was born into, to slide into another where words were straightforward and honest, where there was clearly delineated good and evil, where I found girls who were strong and smart and creative and foolish enough to fight dragons, to run away from home to live in museums, to become child spies, to make new friends and build secret gardens.

Jesmyn Ward

girl strong running

Life is a hurricane, and we board up to save what we can and bow low to the earth to crouch in that small space above the dirt where the wind will not reach. We honor anniversaries of deaths by cleaning graves and sitting next to them before fires, sharing food with those who will not eat again. We raise children and tell them other things about who they can be and what they are worth: to us, everything. We love each other fiercely, while we live and after we die. We survive; we are savages.

Jesmyn Ward

fire wind children

Grief doesn't fade. Grief scabs over like my scars and pulls into new, painful configurations as it knits. It hurts in new ways. We are never free from grief.

Jesmyn Ward

grief suffering hurt

I wanted to write about voodoo tradition that I feel has been very important to survival of black people here: people of the African diaspora, people of this region, and throughout the south.

Jesmyn Ward

black writing people

She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt-burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember until the next mother with large, merciless hands, committed to blood, comes.

Jesmyn Ward

cutting mother baby

When I was writing the memoir, every page was a battle with myself because I knew I had to tell the truth. That's what the memoir form demands. I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism.

Jesmyn Ward

unique writing people

By the numbers, by all the official records, here at the confluence of history, of racism, of poverty, and economic power, this is what our lives are worth: nothing.

Jesmyn Ward

records racism numbers

There are things about the South - the politics, the classism, the racism - that I hate, and I want to be here to fight those things. I don't want to be in California or Michigan just complaining about them. I'm here trying to make a difference in the way I can, writing about it. And I want younger people, especially kids from my community, to see that being successful doesn't have to mean leaving a place like this. You don't have to trade in your family or your sense of belonging for that.

Jesmyn Ward

hate writing mean

Through the process of specifically writing this memoir, there was so much reckoning that I had to do. It was very difficult. It doesn't erase anything that happened, but I think that it was healthy for me to do it. The teenage self-loathing that I suffered from all of a sudden found itself turned into rapids with my grief after my brother died. I turned it inwards. In the same way that my mom processes her grief and her problems. This project, as a memoir, has helped me funnel it outwards.

Jesmyn Ward

teenage mom brother

I wanted to be my own heroine.

Jesmyn Ward

heroines my-own wanted

When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.

Jesmyn Ward

brother together writing

I feel like so much of what happened in the Delta over the decades since slavery was abolished seems much closer in the Delta, and maybe that's because sharecropping was a fairly recent phenomena. I feel like the past is closer and it bears even more heavily on the present there than it does in the rest of the state.

Jesmyn Ward

delta slavery past

My father owned pit bulls when I was young. He sometimes fought them. My brother and a lot of the men in my community owned pit bulls as well: sometimes they fought them for honor, never for money.

Jesmyn Ward

brother men father

I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.

Jesmyn Ward

michigan bones firsts

It felt like an indulgence. Going back was painful, but, at the same time, it was nice to live with them again for a few pages. I got to live with my brother again for the entire book. Of course as I'm writing the book, I'm getting closer and closer to the end and I know what that means. I knew exactly where I was heading. It was really difficult, but it was nice to make them come alive for those scenes. It was good.

Jesmyn Ward

nice brother book

My understanding of voodoo is that it was important to the people who practiced it because it helped them survive. There are practical ways it enabled survival. It used herbal medicine to heal, to aid in childbirth. It was a spiritual system. It made room for hope and for magic and for possibility. For people who struggle and fight to survive and who fight to live, those are really important things.

Jesmyn Ward

fighting struggle spiritual

There is laughter, shrill calls. Everyone is flirting, saying in nudges and jokes and blushing what they would do in private

Jesmyn Ward

nudge flirting laughter

I read the last Harry Potter, and I cried for at least the last 70 pages. Awful! I was curled into a ball and I just kept sobbing. It was embarrassing. I was loud, and I just kept wiping tears away so I could see the page.

Jesmyn Ward

potters balls tears

I'm a failed poet. Reading poetry helps me to see the world differently, and I try to infuse my prose with figurative language, which goes against the trend in fiction.

Jesmyn Ward

reading trying fiction

I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.

Jesmyn Ward

pain spiritual writing

I've never been the president of anything, but I would imagine that in ways it could be a very isolating experience, because you're ensconced in the halls of power and every stop and visit is so orchestrated and someone is choosing what you're going to see.