If the studio wants to spend money on making your movie better, let them. Lorenzo di Bonaventura More Quotes by Lorenzo di Bonaventura More Quotes From Lorenzo di Bonaventura I think when you're doing something cutting edge like 'The Matrix,' it might mean when everybody's saying 'no' that you're really on the right track. Lorenzo di Bonaventura cutting mean thinking I don't like the term 'ensemble.' It's bland to me. Lorenzo di Bonaventura bland ensemble term One of the things that's driving films in a particular direction is that the after market value of them is dropping really fast and in many segments of it, not just DVDs. Pay television is dropping. Lorenzo di Bonaventura dvds pay television I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable. Lorenzo di Bonaventura saws trying firsts As a producer, I try to bring as many nice people as I can to insure that there's no screaming, there's no shouting, there's no bullying. The more of those kind of people that you can bring together, the better the experience everyone has on set. Lorenzo di Bonaventura bullying nice people What I keep searching for in movies, more and more, is the right gravity. Lorenzo di Bonaventura gravity What I can't figure out is why we're not making more R-rated movies, actually. Lorenzo di Bonaventura i-can figures As a filmmaker you have to keep asking yourself the question are we really going to impress them [audience] either by the wow factor, the intelligence factor, the I didn't see that coming factor? Lorenzo di Bonaventura wow filmmaker asking The amount of piracy is extraordinary. People don't realize how big it is. Lorenzo di Bonaventura realizing bigs people My experience is that you can't possibly win against whatever the tidal wave is that's coming at you. Lorenzo di Bonaventura tidal-waves wave winning It's so hard to find a director who, when you look at their body of work, you like everything. Lorenzo di Bonaventura body directors looks The hardest thing, as a producer, is to find a director who does the picture for all the right reasons, and not just because they know it's successful or that they can do a good job, but in their bones, they love that genre. Lorenzo di Bonaventura successful jobs directors I mean, I'm not a contrarian. Lorenzo di Bonaventura mean The action pictures I've been typically involved with, when somebody gets punched, you really feel the punching, and when somebody gets shot, you really feel the shot. Lorenzo di Bonaventura punching shots action I always consult five to ten people who are hardcore fans, to see how far I can push a role. When they go, "Wait a second, you can't do that! That's a sin!," you go, "Okay, fine, we're not going to do that. We tried too far." Lorenzo di Bonaventura fans waiting people If a character dies, you should feel that. If a character accomplishes something, you should feel that. That's where you try to find that balance. It's impossible to articulate, as you go through it. You just have to recognize it. Lorenzo di Bonaventura balance trying character We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology. Lorenzo di Bonaventura different book ideas I always believe, with any kind of hero, that you want to believe that their decision-making is right. That ultimately, I can trust what that guy's sense of right and wrong will be. Even in a vigilante movie, where you are going against the law by definition, you still want to agree with the fact that your character is breaking the law. Lorenzo di Bonaventura hero character believe Everybody has a background. Everybody has a past. Not everybody's the same person all the way through. Lorenzo di Bonaventura backgrounds way past But fundamentally, I don't think of it as an alien-invasion movie; everybody's here, kind of, right? So, I think it's probably more of an action-adventure picture, if I actually had to qualify it. Lorenzo di Bonaventura invasion adventure thinking
