Leave the fireworks for those who cast no spark of their own. Karen Abbott More Quotes by Karen Abbott More Quotes From Karen Abbott An amusing city, Chicago, any way you look at it. I'm afraid we are in for the time of our lives. Karen Abbott chicago cities looks Female spies typically represented one of two extremes: the seductress who employed her wiles to manipulate men, and the cross-dresser who blended in by impersonating them. Karen Abbott spy men two The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine. Karen Abbott cousin simple thinking The ideas and practices of Franz Anton Mesmer, an 18th-century Australian healer, had spread to the United States and, by the 1840s, held the country in thrall. Mesmer proposed that everything in the universe, including the human body, was governed by a 'magnetic fluid' that could become imbalanced, causing illness. Karen Abbott practice country ideas She [Gypsy Rose Lee] was a sophisticated self-satirist with a contagious delight in the comedy of sex. She was coy; she was sly; she always had a witty quip; she had an intensely dramatic presence. Karen Abbott self witty sex A half-century before Madonna, Gypsy [Rose Lee] understood how to make performance out of desire, how to exploit the very human and eternal instinct to always want most what we'll never have. Karen Abbott half desire rose Burlesque thrived during the Great Depression, and by extension, so, too, did Gypsy [Rose Lee]. Men could no longer afford to pay $5.50 to see a show on Broadway, but they could scrape together $1.00 for a matinee at a burlesque house. Karen Abbott house rose men Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton. Karen Abbott riches unique rose I thought both she [Gypsy Rose Lee] and her story would be ill-served by a conventional, birth-to-death narrative, and so I structured the book like one of her stripteases: revealing a peek of shoulder, then a glimpse of knee, pulling back a bit before you go a bit further, until all is revealed at the end. Karen Abbott narrative rose book Gypsy [Rose Lee] wasn't a linear person, and she didn't live life in a linear fashion. She was relentlessly self-inventing, and moved backward as often as she moved forward. Karen Abbott live-life fashion self It was a great challenge to reconstruct Gypsy Rose Lee life, and my interviews with her sister [June Havoc] proved invaluable. It's not often that writers have access to living primary source material; this was the only person who experienced life on the vaudeville circuit with Gypsy during the 1920s, and who saw her perform at Minsky's Burlesque in the 1930s. She knew things that no one else could ever possibly know. Karen Abbott june challenges rose Her sister [June Havoc] said the musical portrayed who Gypsy [Rose Lee] wanted to be before the burlesque thing happened she wanted to be this beautiful, romantic person with dreams. So Gypsy told the story of her life as she wished she'd lived it: embellishing, softening the edges, eliminating certain things altogether. Karen Abbott june dream beautiful Gypsy [Rose Lee ] was a masterful storyteller, and her memoir and by extension, the musical weren't only Gypsy's monument; they were also her chance for monumental revisionism. Karen Abbott musical chance rose I came upon a telegram from Eleanor Roosevelt herself to Gypsy Rose Lee that read, 'May your bare ass always be shining'. That was the clincher; I had to write about this woman. Karen Abbott shining rose writing I spent three years researching American Rose, research that included connecting with Gypsy's sister, the late actress June Havoc (I was the last person to interview her) and Gypsy's son, and also spending countless hours immersed in Gypsy's expansive archives at the New York Public Library. I became obsessed with figuring out the person behind the persona. Karen Abbott june new-york son I felt differently about her [Gypsy Rose Lee] during every phase of the research and writing process. Often, I felt incredibly sorry for her; she had an extremely difficult childhood and a complicated 'to say the least' relationship with her family, her mother especially. Karen Abbott mother sorry writing In Gypsy [Rose Lee] the musical, her mother, 'Mama Rose', is portrayed as a slightly eccentric, pushy, ambitious stage mother, but that version doesn't come close to the truth. Karen Abbott musical mother rose The real Rose Hovick was seriously mentally disturbed; June Havoc called her a beautiful little ornament that was damaged. Karen Abbott june real beautiful She once said, 'I'm really a little prudish, which people may think incongruous'. I take a prudish point of view on certain films, books, and trends. Then, I pull myself up short and ask myself how Gypsy Rose Lee could possibly be this way.I thought that quote was so telling, a key insight into the way she so carefully separated who she was from her meticulous creation. Karen Abbott keys book thinking One of the biggest questions to me was whether or not Gypsy the person was capable of loving anyone or anything beyond Gypsy Rose Lee the creation, and even that was a conflicted, tortured relationship. Karen Abbott gypsy creation rose
