Originality is never embraced as quickly as the commonplace. Franklyn Ajaye More Quotes by Franklyn Ajaye More Quotes From Franklyn Ajaye I have no desire to be hip to the latest black slang and do the stereotypical black thing. I was a Richard Pryor fan, and I have used profanity in my act. But when it becomes a whole thing that defines blacks, we're limiting ourselves. The enemy is us. Franklyn Ajaye black desire enemy Taping yourself and making yourself listen to the tape of each performance no matter how bad is really important. There's always a nugget line or a direction pointed out to you in even the worst show. Franklyn Ajaye nuggets tape important Moving to Australia was not a career move, but a quality of life issue. It has no guns, no God, and no gangster rap. As an Ethiopian cab driver said to me the other day when I was returning from a gig in Sydney, Australia is a peaceful, democratic place. I like the relatively stress free lifestyle. It's worth the drop in income. Franklyn Ajaye rap stress moving Very few blacks will take up golf until the requirement for plaid pants is dropped. Franklyn Ajaye requirements golf sports Being black and speaking properly are not mutually exclusive. My father was an African, and he spoke beautifully at home. Nelson Mandela speaks beautifully. Should Mandela put his hat on backwards and say, 'Yo, homey, this is Nelson. Yo, Winnie, yo, this is def'? Franklyn Ajaye black home father You must not be afraid of small bits of silence. To use it well is the height of confidence and skill for a comedian. It increases the tension in a good way and adds contrast like a curveball complements the fastball of a good pitcher. Franklyn Ajaye confidence silence skills Walking back and forth also helps by creating the illusion that you are thinking of the routines on the spot, giving your performance a more spontaneous feeling. Franklyn Ajaye creating giving thinking Ideally, you want to be in a fifty-fifty power-sharing arrangement with the audience - both of you are there for a mutually enjoyable experience. Franklyn Ajaye experience fifty want Obviously the audience has veto power signified by whether they laugh or not, but you-not them-retain the ultimate power to decide what they're going to get the opportunity to laugh at. Franklyn Ajaye veto opportunity laughing Bombing teaches you how badly you want to become a comedian. Because unless it's a burning desire, you'll quit when the consistent bombing becomes too much to take. Franklyn Ajaye burning comedian desire Evaluate every performance on: stage presence, concentration, delivery, material and lessons learned. Franklyn Ajaye lesson-learned stage lessons This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one. Franklyn Ajaye ghetto rap needs Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on. Franklyn Ajaye cutting giving moving It's better to play to the host as though in a real conversation and let the audience listen in- which they are. Franklyn Ajaye host real play I don't like the fact that most black people or black comedians have to present themselves in a flamboyant way. It's good if you can do that, but I don't like to think that's the way all black comedians are. I'm not that type. Franklyn Ajaye black people thinking Black people drink lots of beer. However, you won't see us skiing down a mountain for one, or see us diving for Frisbees on concrete for one. Franklyn Ajaye alcohol beer people In addition to listening to the audience's laugh, you want to listen to their silence. Is it bored or interested silence? The silence is quieter and filled with energy when they're interested. You can hear a pin drop. When they're bored, you can always hear it. Franklyn Ajaye bored silence laughing I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub. Franklyn Ajaye advise reason television Being a professional comedian is doing it right and good, when you don't feel like it. Franklyn Ajaye comedian feels On a good night, I'm just into the flow and seeing the pictures and words in my mind clearly before I say them. On a bad night, which to be honest are nowhere near as bad as when I was starting out, I just concentrate on performing the routines correctly. I focus on my delivery. Franklyn Ajaye focus good-night mind
