Poor decisions and bad luck are contingencies of most horror films. Wesley Morris More Quotes by Wesley Morris More Quotes From Wesley Morris Sometimes a movie knows you're watching it. It knows how to hold and keep you, how, when it's over, to make you want it all over again. Wesley Morris know-how want sometimes Most Pixar films are better than most live action films. Wesley Morris pixar film action Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema. Wesley Morris media ideas art I definitely have a kind of Stockholm Syndrome for superhero movies because it's very clear that's the era we're in. It's like Christianity in the Middle Ages. Wesley Morris superhero eras age Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me. Wesley Morris noir i-love-you kindness The Dictator' lands somewhere between wan Mel Brooks and good Adam Sandler, whose 'You Don't Mess With the Zohan,' about an Israeli Special Forces soldier at a hair salon, manages to strike better contrasts with vaguely similar culture differences - it's a nuttier movie, too. Wesley Morris differences land hair The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees. Wesley Morris law two son The problem with a lot of movies when it comes to race is that they want to be moral, and they want to make the audience feel good about something that a lot of people don't feel good about. Wesley Morris feel-good race people In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us. Wesley Morris youth perception patience There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that. Wesley Morris risk looks world Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era. Wesley Morris black-and-white stars new-relationship Straight white males: that's the predominant moviegoing category, and the persistence of that is a dismaying maintenance of the status quo. Wesley Morris persistence males white Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York. Wesley Morris cities new-york art Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller. Wesley Morris bangs cheer people I'm a human who is aware of the history of humanity and the ways in which the movies touch on those things. Wesley Morris humans humanity way In the Mac vs. PC ads, Apple bills itself as the antidote to Microsoft. To love Apple wasn't to sell out. It was to buy in. Most people use PCs, but Apple has the mindshare. Wesley Morris apples use people Computers are scary. Theyre nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design. Wesley Morris design blue jobs The enormous success of 2009's 'The Blind Side,' in which Sandra Bullock makes a black teenager one of the family, demonstrates that America isn't post-racial. It is thoroughly mired in race - the myths that surround it, the guilt it inspires, the discomfort it causes, the struggle to transcend it. Wesley Morris teenager race struggle All critics have the responsibility to tease out the social ideas and social problems in a movie. I don't feel an obligation to do that because I'm black. Wesley Morris black responsibility ideas I have a pretty good sense of when to express misgivings. And white critics are just as capable of pointing those things out and noticing them as people of color. Wesley Morris color white people
