There are no inherent limitations to the medium. There are just differences. Bill Henson More Quotes by Bill Henson More Quotes From Bill Henson I was always amazed at how beautiful the light was. At different times of the day the landscape becomes a different place. Dawn and dusk, it's a different place. Bill Henson light dawn beautiful Adolescence is interesting. I mean, all of life is interesting and all of life is transitionary. But I think there is an exponential growth physically, intellectually, emotionally and there is so much potential. Bill Henson mean interesting thinking You spend your whole life trapped inside your body. Everything you know about the world comes to you through your body. Bill Henson whole-life body world In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph. Bill Henson painting want art Meaning coming from feeling, feeling coming from within, you absorb a massive amount of information, it goes through your whole body, a little bit of it floats up to your head where there is deliberation. You are conditioned by the way your whole body is responding to what is going on. Bill Henson body feelings littles What happens with experiences that really move us deeply, that really effect us? They make the world new again. What it does is it heightens our sense of mortality. Bill Henson doe world moving It just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums. Bill Henson contradictory photography made Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one! Bill Henson shade black-and-white littles I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going "It's me! I'm the one you want! I am the necessary subject. This is it!" Bill Henson standing-down reading want On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard. Bill Henson cameras levels thinking Most of life is grey, with a little tiny bit of black and white. Bill Henson tiny black-and-white littles There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking. Bill Henson breathtaking architecture rooms You pick up a camera because something has been revealed to you in the landscape or in the human-scape. And you have no choice because it's a gift. And it's like, oh right, I better start doing this! Bill Henson landscape cameras choices When you shoot on film, you don't know whether you've got it or not until you get the film processed, and so it changes the relationship we have with the subject whether it's a landscape or a person in a so-called controlled environment in a chair in a studio in front of you. Bill Henson landscape environment film It's a profoundly different thing to be able to refer to the images you are taking at the time and check them out on a laptop that is plugged into your Hasselblad and go "oh no, do it again, do it again" - all of those a requickly made decisions. The fact that you can see the images right away in a funny way makes the whole relationship more casual. I don't want a casual relationship with my subject. Bill Henson different decision want I have always found the suburbs very beautiful – the light, the change of seasons and so on. I am not so interested in the political dimensions of these things. I didn’t have any witticisms to land on suburbia. I was really just interested in how beautiful it was. I felt it was like a dreamscape and once I understood that was how I needed to approach it the dream started to expand in unusual ways. Bill Henson light dream beautiful No medium is more limited than any other. It's what a person does with it. We could talk about the differences between music and literature and photography, sure, but it really comes down to what a person does. Bill Henson differences photography doe It was the dreamscape of the suburbs that interested me. Bill Henson suburbs When you go to a great concert something that happens is there is a deep sense of communality and connectedness one to another - as though we are all looking to eachother and saying yeah, we get it, we're all on one page. Bill Henson concerts yeah pages As a boy I was obsessed with Egypt and Egyptology. I'm convinced it's not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It's a bit like young girls and horses. Bill Henson horse girl boys
