Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed.

Annie Dillard

Categorized in : Couple Scare Ponds

We are here to witness the creation and to abet it. We are here to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but, especially, we notice the beautiful faces and complex natures of each other. We are here to bring to consciousness the beauty and power that are around us and to praise the people who are here with us. We witness our generation and our times. We watch the weather. Otherwise, creation would be playing to an empty house.

Annie Dillard

our-generation beautiful beach

At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening.

Annie Dillard

waiting sea listening

No one escapes the wilderness on the way to the promised land.

Annie Dillard

peaceful land way

How we spend our days is, of course, how we spend our lives.

Annie Dillard

wisdom life travel

It is madness to wear ladies' straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping God may wake someday and take offense, or the waking God may draw us out to where we can never return.

Annie Dillard

issues church sleep

An Inuit hunter asked the local missionary priest: If I did not know about God and sin, would I go to hell? No, said the priest, not if you did not know. Then why, asked the Inuit earnestly, did you tell me?

Annie Dillard

atheism life religion

How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living.

Annie Dillard

motivational order hands

One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. . . . Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

Annie Dillard

play writing book

The point of the dragonfly's terrible lip, the giant water bug, birdsong, or the beautiful dazzle and flash of sunlighted minnows,is not that it all fits together like clockwork--for it doesn'tbut that it all flows so freely wild, like the creek, that it all surges in such a free, finged tangle. Freedom is the world's water and weather, the world's nourishment freely given, its soil and sap: and the creator loves pizzazz.

Annie Dillard

freedom nature beautiful

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?

Annie Dillard

patient dying writing

I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wondering awed about on a splintered wreck I've come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them.

Annie Dillard

shining air beautiful

There is always the temptation in life to diddle around making itsy-bitsy friends and meals and journeys for years on end. It is all so self conscience, so apparently moral...But I won't have it. The world is wilder than that in all directions, more dangerous...more extravagant and bright. We are...raising tomatoes when we should be raising Cain, or Lazarus.

Annie Dillard

journey self years

If we listened to our intellect, we’d never have a love affair... or go into business. You’ve got to jump off cliffs and build your wings on the way down.

Annie Dillard

cliffs wings way

The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

Annie Dillard

grace trying thinking

There is no shortage of good days. It is good lives that are hard to come by.

Annie Dillard

good-day good-life inspirational

You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars neither require nor demand it.

Annie Dillard

perspective stars dark

Nature seems to exult in abounding radicality, extremism, anarchy. If we were to judge nature by its common sense or likelihood, we wouldn't believe the world existed. In nature, improbabilities are the one stock in trade. The whole creation is one lunatic fringe. ... No claims of any and all revelations could be so far-fetched as a single giraffe.

Annie Dillard

nature judging believe

We are here to abet creation and to witness to it, to notice each other's beautiful face and complex nature so that creation need not play to an empty house.

Annie Dillard

house play beautiful

Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.

Annie Dillard

new-york summer writing

The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less.

Annie Dillard

sensations greed spirit