Shane Black Professions : Screenwriter Born : December 16, 1961 Browse All Authors Top 60 quotes by Shane Black An action movie should, like any other, follow the narrative traditions of literature. That means there should be subtlety, a slow build and a gradual bringing together of all the separate threads of the plot. To see all of it coming together slowly is very rewarding for the audience. Shane Black plot together mean You have to keep surprising your audience. Shane Black audience surprising I always have humour in my action movies. I think characters that make jokes under fire are more real. It somehow helps put you in their shoes. Shane Black real character thinking You have to be in California in order to write or direct movies. People say, "Oh, I'm gonna do it from Pittsburgh. I'm just gonna deliver scripts or fly out, like, once, then fly back." You have to make a full commitment. You have to actually get on a plane, come to L.A., rent a place, and live there. And that's how you forge your career. Not just sort of haphazardly. Once you've got a few hits under your belt, assuming you do, then go back and move away and correspond with the studio. Shane Black writing commitment moving The worst of the action films are the ones where everything is one shout from beginning to finish. And there's no differentiation between beats, like small or big, or quiet or expansive. It's all just one loud shout. Shane Black differentiation action quiet Here's what I didn't know when I was starting out that I now know…I thought when you were starting out it was really hard to write because you hadn't broken in yet, you hadn't really hit your stride yet. What I found out paradoxically is that the next script you write doesn't get easier because you wrote one before…each one gets harder by a factor of 10. Shane Black starting-out broken writing You can just start writing, but you're gonna go off on 10 or 12 starts and weird tangents, and yeah you'll have those pages to use later - to gift wrap some fish for your mother - but either way you're gonna have pages. Shane Black use mother writing It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me. So when one of us had some success - in this case, my pal Fred Dekker - he would reach down the ladder and help me up a rung, give my work to his agent to pass around to see if anyone liked it. Shane Black guy house giving I'll say, what makes me happy about making movies is, every once in a while through movies we find a kind of honesty. There's an honesty in fiction that's as effective or even more powerful than the honesty of our lives. We can find something that's genuinely true, like a chemistry between people or a statement that speaks to an audience. Shane Black honesty powerful people It sometimes is better to write in a more directed, focused way when the pages are aimed at something already, a mission statement or a basic spine that represents the theme or the concept that you've agreed on, and writing partners are great for that because you can sit there until you get it. Shane Black pages writing way Once you've got a concept and a sense of themes and what it's about, then you can start to add your plot and sort of Tetris in all of the elements that you want to see, but also attach them to something that has cohesion, like a mold. Shane Black mold plot add The other thing being at UCLA was just being in California and around the movie business. Which I honestly believe, and I've told this to screenwriters, you have to do. You have to be there in order to write or direct movies. Shane Black honestly writing believe Writing scripts is a laborious job that can be a real pain. Shane Black pain real jobs I do think the challenge, in a way for me, is to write a narrative film and when you finish watching it you feel like it's a collage. You tell the narrative, you tell the story, but you feel like you've created this tapestry. But it also has a shape, a story. So I think there's a middle ground that I try to strike... away from where everyone else seems ready to go, which is, setup, payoff. You know, He's afraid of water, oh, and at the end he's swimming in water - oh, my God. I hate that stuff. Shane Black swimming hate writing I have a shoebox: for ideas, fragments, snatches of conversation I hear. I scrawl it down, throw the scraps in the box. Every time I start a new script I start picking through the pieces. Suddenly you get five pieces together and think: this is almost the first Act of a movie, if I flesh it out a bit. Shane Black together ideas thinking I wrote all the time, but the idea of doing it professionally seemed like pie in the sky. Who gets paid to write? I grew up in Pittsburgh, so it wasn't really a notion that a lot of people pursue. Shane Black writing people An action film can have too much action; picture an equaliser on a stereo, with all the knobs pegged at 10. It becomes a cacophony and is, ultimately, quite boring. Shane Black cacophony too-much action I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No. Shane Black would-be way thinking If you're doing something on an interesting scale that involves an entire universe of characters, one way to unite them is to have them all undergo a common experience, and there is something at Christmas that unites everybody. It already sets a stage within the stage. Shane Black common-experience character interesting I had my group of friends, and they stayed my group of friends, they were good about that. We all started to succeed at the same time, so that sort of took the curse off it. I didn't have a bunch of people scowling at me and being potentially jealous. I just had good friends who I was able to help, and they helped me. Yet it eventually came to feel debilitating. Shane Black good-friend jealous people Similar Authors Irving Brecher screenwriter Bill Kelly screenwriter Bruce Joel Rubin screenwriter Burt Prelutsky screenwriter Budd Schulberg screenwriter Bryan Fuller screenwriter All Authors
